Director and theater creator, working in Israel and abroad. Graduate of Telma Yalin high school and direction studies in London. One of the founders of the international  WorldWideLab directors’ collective. A member of the Lincoln Center Directors’ Lab, Robert Wilson’s “Watermill” center and La-Mama group in Umbria. In 2016 she founded #posthome_theatre and created her directorial trilogy: A PARTICIPATORY PERSIAN TEA CEREMONY performed at changing locations; and her original stage adaptation of Luigi Pirandello’s THE MAN WITH THE FLOWER IN HIS MOUTH, running with Italian supertitles at Tmuna Theatre. The third part of the #posthome_theatre trilogy – Parrhesia recently premiered at Tmuna Theatre where it is currently running. Last year she curated and directed a cross disciplinary performance bringing together contemporary literature & visual art at Ebraica – International Festival of Hebrew Culture, Rome. Among her directorial works in Israel: “Back to I-srael” by Nava Semel with Itim Ensemble/Cameri Theater ; “Abigail’s Mirror”, a performance piece by Orly Rabinyan at the Alfred Gallery ; “Fleabag” by Phoebe Waller-Bridge - a show in German with Hebrew subtitles at Israel Festival’s Center Stage platform ; “If There Is I Haven’t Found It Yet” by Nick Payne at the Library Theater ; “A Drop in the Sea”, written and directed by Orly Rabinyan at Tzavta Theater ; “Until 120” - a movement adaptation for 13 actors, adapted and directed by Rabinyan at Yoram Lowenstein’s Acting Studio. Among her recent directorial works abroad: “Interior” by Maurice Maeterlinck, a site-specific piece in Chinese for the 435 art space in Taiwan ; “Onions”, a site-specific piece in Italian for the Calabria shore (the show also played at the Quarticocolo Theater in Rome) ; “Honeypot” by Julia Pascal at the New-Diorama Theater in London ; “A Wedding” by Brecht, a stage adaptation in process presented at the Irondale Theater in Brooklyn, New York. A line about independent creation: Being an independent creator is a huge privilege. The independent space allows an unfiltered freedom of expression, free from irrelevant considerations. It is a space of surprises where exclamations points turn into question marks and pauses are at liberty to echo. לעוד תמונות מהצגות של אורלי לערוץ הוימאו של אורלי